Fizber.com, the fastest growing US Online Real Estate Site, is building a network of videographers nationwide and looking for video professionals to fill their Videographers Directory (http://videographers.fizber.com/signup.html).
Real estate video tours are becoming extremely popular nowadays. More and more home owners and real estate agents are integrating video into real estate listings. With the continuous advances in technology, studies show that full motion video is the most compelling visual medium for online marketing.
Fizber.com launched their videographers directory (http://videographers.fizber.com/) aiming to provide home sellers, real estate agents and many others with this invaluable tool that highlights their properties or listings. "Real estate video requires some specialized techniques," says Julia Foster, PR Manager for Fizber.com. "Therefore, I think it's a good idea to hire a professional to produce polished and compelling real estate video. It definitely makes all the difference to have someone experienced in the shooting, editing and production of the videos."
Video presentation of houses has become another branch of service in the real estate world, and Fizber.com has realized the necessity of launching a videographer directory to better serve their customers needs. "It takes more than a HD camera to make the house look good on video", adds Foster. "There has to be a professional or at least experienced video creator with knowledge in real estate so that they can provide an informative experience during the real estate video about the entire house to the viewer".
http://www.pr-usa.net/index.php?option=com_content&task=view&id=46797&Itemid=9
Saturday, December 29, 2007
Person behind the screen also important: Chouhan
Bhopal, Dec 24: Chief Minister Shivraj Singh Chouhan has said that persons who work behind the scene have their own importance and their contribution cannot be ignored. Such people command respect and their abilities get recognition at appropriate time. Chief Minister Chouhan was addressing the one-day seminar on the subject 'Creativity Behind the Scene' as chief guest. The seminar was organised by Association of Applied Videography Professionals at Samanvay Bhavan here on Monday. Bhopal Mayor Sunil Sood presided over the function.
Chief Minister Chouhan said that these days videographers of Madhya Pradesh are spreading the fragrance of their deftness in various institutions in the nook and corner of India. The cameraman or videographer also puts in his service with the same dedication and energy and application of mind as a newsman, scriptwriter and director. Sometimes, videographers have to face risky and delicate situations. Chouhan said that generally people remain unaware about the person working behind the camera while he is the person who deserves limelight and credit. Chouhan said that necessary initiatives would be taken to further equip Sardar Vallabh Bhai Polytechnic's Applied Videography Department with more facilities and professional problems faced by videographers would also be sorted out.
Secretary Public Relations and Culture, Manoj Shrivastava took part in the seminar as the main speaker and threw light on the subject in detail. Film director Vivek Agnihotri and cinematographer Aseem Bajaj also addressed the seminar.
At the outset Chief Minister Chouhan and other guests were welcomed. Association president Avdhesh Pandey said that videographers are being trained since 1984 at the Applied Videography Department of SV Polytechnic in Bhopal. Special programmes would be held next year to mark the silver jubilee of the institution. Pandey also apprised about the problems being faced by videographers. Those also present on the occasion included association patron HBS Parihar, Rajneesh Pandey, Avdhesh Singh, Hemank Tripathi and Rajesh Dube. During the programme late Anand Kumra, who had been associated the institution, was also commemorated.
Chief Minister Chouhan also released the Video Professionals Directory published by the association.
http://www.centralchronicle.com/20071225/2512022.htm
Chief Minister Chouhan said that these days videographers of Madhya Pradesh are spreading the fragrance of their deftness in various institutions in the nook and corner of India. The cameraman or videographer also puts in his service with the same dedication and energy and application of mind as a newsman, scriptwriter and director. Sometimes, videographers have to face risky and delicate situations. Chouhan said that generally people remain unaware about the person working behind the camera while he is the person who deserves limelight and credit. Chouhan said that necessary initiatives would be taken to further equip Sardar Vallabh Bhai Polytechnic's Applied Videography Department with more facilities and professional problems faced by videographers would also be sorted out.
Secretary Public Relations and Culture, Manoj Shrivastava took part in the seminar as the main speaker and threw light on the subject in detail. Film director Vivek Agnihotri and cinematographer Aseem Bajaj also addressed the seminar.
At the outset Chief Minister Chouhan and other guests were welcomed. Association president Avdhesh Pandey said that videographers are being trained since 1984 at the Applied Videography Department of SV Polytechnic in Bhopal. Special programmes would be held next year to mark the silver jubilee of the institution. Pandey also apprised about the problems being faced by videographers. Those also present on the occasion included association patron HBS Parihar, Rajneesh Pandey, Avdhesh Singh, Hemank Tripathi and Rajesh Dube. During the programme late Anand Kumra, who had been associated the institution, was also commemorated.
Chief Minister Chouhan also released the Video Professionals Directory published by the association.
http://www.centralchronicle.com/20071225/2512022.htm
Saturday, December 22, 2007
Information On Wedding Articles and News
Do I Really Need a Wedding Video?
Your wedding day will be a blur to you and your parents. You plan the many details for months, but your wedding day goes by so fast that you will miss a large part of it.
A wedding video is like a “time machine”. It lets you relive your wedding day as often as you like, anytime you like. As a fellow videographer put it, “It let’s you attend your own wedding at your leisure without the stresses and distractions of the day.” It is also a significant and important “living” document for your families, your children, and grandchildren. Some couples don’t realize just how important their wedding video will become until they experience the loss of a loved one that attended their wedding.
I Want a Wedding Video but I Have a Friend With a Camcorder
Some couples use a friend or family member to videotape their wedding day. Would you have a friend or family member take all of your wedding photographs? Probably not.
We have heard numerous stories of people running out of tape or batteries, not shooting important activities, and taking shaky or bad footage. Using a friend or relative can cause hard feelings and ruin relationships if your video is poorly done or not done at all. Also, that person can’t enjoy themselves at your wedding while they are videotaping it.
A wedding video is a movie of your wedding day, a lasting memory that contains 30 pictures every second and includes the timeless sites and sounds of every important event that took place on your special day. A professional wedding video should tell the story of your wedding day. Using creative camera work, a keen attention to detail, and artistic editing using music, the right blend of effects and transitions, the professional wedding videographer should produce a video you will watch often and be proud to show others.
I’m Having a Photographer So I Don’t Need a Video
Both your photographs and your wedding video are of equal importance. You can’t frame your wedding video or carry it with you in your purse or wallet to show a friend.
But, you can’t hear your marriage vows, see a tear as it rolls down your cheek, or relive the sights, sounds, and emotions of your dad walking you down the aisle or your first dance as husband and wife.
Photography and videography are both artistic expressions and vary from artist to artist. It is important to view the work of each and meet one-on-one with the person(s) that will be producing your photographs and your wedding video. Make sure that their style and personalities match your expectations.
How Much Will It Cost?
There is a misconception that your wedding video should be less expensive than your photographs:
* A professional videographer should attend your rehearsal to meet the Officiant, become familiar with the order of activities, and offer ideas and assistance to improve the video.
* A professional videographer will invest around $20,000 or more in equipment plus training and experience.
* Typical wedding day coverage includes two cameras with operators that shoot almost continuously for five hours or more.
* Your wedding video will take 20 to 30 hours or more to edit so that the raw footage is transformed into a smoothly flowing story of your wedding day.
* And, unlike Steven Spielberg or even your photographer, your videographer has only one take to capture your wedding day activities. The ceremony or special events can’t be stopped and done over if something isn’t perfect.
Your wedding videographers must be the:
- producer
- director
- lighting technician
- sound person
- cinematographer
- editor
and they must perform all of these jobs well to produce the wedding video that you hope for and deserve.
Pricing varies depending on experience, services offered, time spent, etc. Choose a videographer based on how their work makes your feel when you see it then discuss pricing based on what it will take to produce your personal video memory.
Couples tell us that the best money they spent was on their wedding video and are so happy they made the decision to have one.
When Should I Book a Videographer?
As with your first choice for your ceremony, reception, and other vendors the best wedding videographers will be booked first. You should meet with videographers as you would photographers, if not earlier in your planning process. There are fewer videographers than there are photographers. Eight months to one year prior to your day is not too early.
Do I Really Need a Wedding Video?
It’s up to you. Your wedding day will only happen once in your lives. Don't regret not having your precious memories preserved in a video that you can see and relive over and over.
http://weddinghub.blogspot.com/2007/07/do-i-really-need-wedding-video.html
Your wedding day will be a blur to you and your parents. You plan the many details for months, but your wedding day goes by so fast that you will miss a large part of it.
A wedding video is like a “time machine”. It lets you relive your wedding day as often as you like, anytime you like. As a fellow videographer put it, “It let’s you attend your own wedding at your leisure without the stresses and distractions of the day.” It is also a significant and important “living” document for your families, your children, and grandchildren. Some couples don’t realize just how important their wedding video will become until they experience the loss of a loved one that attended their wedding.
I Want a Wedding Video but I Have a Friend With a Camcorder
Some couples use a friend or family member to videotape their wedding day. Would you have a friend or family member take all of your wedding photographs? Probably not.
We have heard numerous stories of people running out of tape or batteries, not shooting important activities, and taking shaky or bad footage. Using a friend or relative can cause hard feelings and ruin relationships if your video is poorly done or not done at all. Also, that person can’t enjoy themselves at your wedding while they are videotaping it.
A wedding video is a movie of your wedding day, a lasting memory that contains 30 pictures every second and includes the timeless sites and sounds of every important event that took place on your special day. A professional wedding video should tell the story of your wedding day. Using creative camera work, a keen attention to detail, and artistic editing using music, the right blend of effects and transitions, the professional wedding videographer should produce a video you will watch often and be proud to show others.
I’m Having a Photographer So I Don’t Need a Video
Both your photographs and your wedding video are of equal importance. You can’t frame your wedding video or carry it with you in your purse or wallet to show a friend.
But, you can’t hear your marriage vows, see a tear as it rolls down your cheek, or relive the sights, sounds, and emotions of your dad walking you down the aisle or your first dance as husband and wife.
Photography and videography are both artistic expressions and vary from artist to artist. It is important to view the work of each and meet one-on-one with the person(s) that will be producing your photographs and your wedding video. Make sure that their style and personalities match your expectations.
How Much Will It Cost?
There is a misconception that your wedding video should be less expensive than your photographs:
* A professional videographer should attend your rehearsal to meet the Officiant, become familiar with the order of activities, and offer ideas and assistance to improve the video.
* A professional videographer will invest around $20,000 or more in equipment plus training and experience.
* Typical wedding day coverage includes two cameras with operators that shoot almost continuously for five hours or more.
* Your wedding video will take 20 to 30 hours or more to edit so that the raw footage is transformed into a smoothly flowing story of your wedding day.
* And, unlike Steven Spielberg or even your photographer, your videographer has only one take to capture your wedding day activities. The ceremony or special events can’t be stopped and done over if something isn’t perfect.
Your wedding videographers must be the:
- producer
- director
- lighting technician
- sound person
- cinematographer
- editor
and they must perform all of these jobs well to produce the wedding video that you hope for and deserve.
Pricing varies depending on experience, services offered, time spent, etc. Choose a videographer based on how their work makes your feel when you see it then discuss pricing based on what it will take to produce your personal video memory.
Couples tell us that the best money they spent was on their wedding video and are so happy they made the decision to have one.
When Should I Book a Videographer?
As with your first choice for your ceremony, reception, and other vendors the best wedding videographers will be booked first. You should meet with videographers as you would photographers, if not earlier in your planning process. There are fewer videographers than there are photographers. Eight months to one year prior to your day is not too early.
Do I Really Need a Wedding Video?
It’s up to you. Your wedding day will only happen once in your lives. Don't regret not having your precious memories preserved in a video that you can see and relive over and over.
http://weddinghub.blogspot.com/2007/07/do-i-really-need-wedding-video.html
Information On Wedding Articles and News
Tips On Choosing A Wedding Videographer
Finding that perfect person to preserve your special day on video can be a daunting task. There are many things that you need to know before you write your name on that contract. Here are some suggestions for picking that perfect video that is just right for you.
* Ask friends & family for referrals. People will talk loud & often about services they didn’t like, but they don’t talk often enough about those they did! Ask around, I’m sure you’ll find a few people you know who were very happy with their videographers or other wedding/event vendors.
* Search the internet – not just in your area, but surrounding areas as well. If you have a larger budget, you can even look national. Many vendors will travel as long as you pay their travel costs.
* Look in magazines – although sometimes only the vendors with the large budgets advertise here. Many young or cost effective companies won’t spend that much money on advertising, but their services are just as good. You will find some qualified leads here, though.
* Compile a list of all videographers (or other vendors) that you feel could possibly be a good fit for your wedding. Don’t worry about price, location or other factors at this point. Just list everyone that is a possibility.
* Next you need to determine the factors (I suggest 3) that are most important to you & your fiancé. Some suggestions to think about are:
o Local vendors only (they know the area best)
o Quality of work
o Style of video (ranges from documentary to MTV)
o Personalities (you need to be comfortable with the people you hire)
o Price
o Years in business
o Type of music used
o How many cameras
o Types of lighting & audio
o Extra features (Love Story, Photo Montages, Recaps, etc)
o Small business or large company
o And many more.
* Compare the companies on your list – look at websites & call or email them to determine how they fit with your 3 important factors.
* Narrow down your list to 3-5 of your favorite vendors & make appointments to visit them & view more of their work. You will know right off the bat if you will mesh with the videographers. Make sure you are meeting at least one of the videographers that will be there on your wedding day. It’s great if you get along with the owner of the company, but if you don’t mesh with the one actually there on your wedding day, that could spell trouble. Also, ask to see a video that is in the specific style you like or at the location where your wedding will be. No 2 wedding videos are the same, but you want to see something that is at least close to what you will be getting.
* Now you’re ready to make your decision. Make sure once you decide you get them a deposit right away. Nothing is worse than getting your heart set on a vendor & then finding out it’s too late & they are already booked!
Once you have made your decision following this guide, you can rest assured that the company you picked will deliver to you the video that you could already see in your mind.
http://weddinghub.blogspot.com/2007/05/tips-on-choosing-wedding-videographer.html
Finding that perfect person to preserve your special day on video can be a daunting task. There are many things that you need to know before you write your name on that contract. Here are some suggestions for picking that perfect video that is just right for you.
* Ask friends & family for referrals. People will talk loud & often about services they didn’t like, but they don’t talk often enough about those they did! Ask around, I’m sure you’ll find a few people you know who were very happy with their videographers or other wedding/event vendors.
* Search the internet – not just in your area, but surrounding areas as well. If you have a larger budget, you can even look national. Many vendors will travel as long as you pay their travel costs.
* Look in magazines – although sometimes only the vendors with the large budgets advertise here. Many young or cost effective companies won’t spend that much money on advertising, but their services are just as good. You will find some qualified leads here, though.
* Compile a list of all videographers (or other vendors) that you feel could possibly be a good fit for your wedding. Don’t worry about price, location or other factors at this point. Just list everyone that is a possibility.
* Next you need to determine the factors (I suggest 3) that are most important to you & your fiancé. Some suggestions to think about are:
o Local vendors only (they know the area best)
o Quality of work
o Style of video (ranges from documentary to MTV)
o Personalities (you need to be comfortable with the people you hire)
o Price
o Years in business
o Type of music used
o How many cameras
o Types of lighting & audio
o Extra features (Love Story, Photo Montages, Recaps, etc)
o Small business or large company
o And many more.
* Compare the companies on your list – look at websites & call or email them to determine how they fit with your 3 important factors.
* Narrow down your list to 3-5 of your favorite vendors & make appointments to visit them & view more of their work. You will know right off the bat if you will mesh with the videographers. Make sure you are meeting at least one of the videographers that will be there on your wedding day. It’s great if you get along with the owner of the company, but if you don’t mesh with the one actually there on your wedding day, that could spell trouble. Also, ask to see a video that is in the specific style you like or at the location where your wedding will be. No 2 wedding videos are the same, but you want to see something that is at least close to what you will be getting.
* Now you’re ready to make your decision. Make sure once you decide you get them a deposit right away. Nothing is worse than getting your heart set on a vendor & then finding out it’s too late & they are already booked!
Once you have made your decision following this guide, you can rest assured that the company you picked will deliver to you the video that you could already see in your mind.
http://weddinghub.blogspot.com/2007/05/tips-on-choosing-wedding-videographer.html
Wedding advice, wedding video-clips, news and information.
'The Online Wedding Fayre' by Mail Order Weddings is pleased to present a number of wedding TEXT and wedding CLIP articles that provide advice and information that may be useful as you plan your wedding. We hope that you find them interesting.
-----------------------------------------------------------------------------------------------------------------------------
Wedding articles - [Video clips]
Wedding florist - [2 minute wedding-clip]
Sue Elldridge Florist, Writer, Designer and Etiquette teacher talks about her role as a wedding florist (first in a series).
Ice sculpture - [2 minute wedding-clip]
A brief behind the scenes introduction to ice carving.
-----------------------------------------------------------------------------------------------------------------------------
Wedding articles - [Text based]
Talking toastmasters - Advice from the Masters of Ceremonies
Wedding cake jewellery [ Pilot article] Cake makers
Wedding Hair - 11 Bullet point tips for beautiful hair
A magic day - Booking a Magicians for your wedding day
Wedding cake - History of the wedding cake
Wedding dresses - Previously owned dresses
Wedding music - Classical list
Wedding music & entertainment - Your wedding day
Wedding photographer - Photography Hints & Tips
Wedding transport - Arranging wedding transport
Wedding stress_Pt 1 The brides room 'On location' - Article in progress
Wedding video production - Selecting a wedding videographer
Wedding insurance - Request two individual wedding insurance company leaflets
Using the internet to help plan your wedding
Wedding 'Experience' - A place to pass on your unusual wedding tips
This is a brand new free resource, please help us by sending your own wedding experiences - email your top tips to: mail@mailorderweddings.com
-----------------------------------------------------------------------------------------------------------------------------
New wedding product reviews and information - [Text based]
Bridal Veils - Practical advice about bridal veils from off the shelf designs to handmade orders. - This article is due for release soon...
Wedding jewellery - Choosing your wedding jewellery
Handmade wedding tiaras - Practical advice
Koolies - A unique bottle cooler - Ideal for for those hot wedding days
-----------------------------------------------------------------------------------------------------------------------------
Notes for article writers:
We offer a 'free banner space' * and link to your own website in return for writing and allowing us to publish your wedding feature.
* Terms of agreement:
Please check in with us before writing anything, we must first approve the feature and then confirm the arrangements in writing with you. Not all submissions can be accepted.
The article should be un-biased and free of any persoanl gain The name of the writer is never published but their advert is clearly shown in the banner box. Reference to a valid association or good point of reference is permitted if it is in the interest of the reader. The offer is for the life of the advert display time (typically around 1 year) During the first month of the feature it will be published on the home page which has around 10,000 hits a day and offers a far reaching network of links or references and awareness.
If you are interested in writing a feature please contact us for more information by emailing advertising@mailorderweddings.com (to write you must have a Minimum job experience 5 years)
Disclaimer: Mail Order weddings offers advice by goodwill, based upon its own personal experience and information gathered from the trade. Mail Order Weddings cannot be held responsible in any way for the advice it offers to the reader.
http://www.mailorderweddings.com/articles.cfm
-----------------------------------------------------------------------------------------------------------------------------
Wedding articles - [Video clips]
Wedding florist - [2 minute wedding-clip]
Sue Elldridge Florist, Writer, Designer and Etiquette teacher talks about her role as a wedding florist (first in a series).
Ice sculpture - [2 minute wedding-clip]
A brief behind the scenes introduction to ice carving.
-----------------------------------------------------------------------------------------------------------------------------
Wedding articles - [Text based]
Talking toastmasters - Advice from the Masters of Ceremonies
Wedding cake jewellery [ Pilot article] Cake makers
Wedding Hair - 11 Bullet point tips for beautiful hair
A magic day - Booking a Magicians for your wedding day
Wedding cake - History of the wedding cake
Wedding dresses - Previously owned dresses
Wedding music - Classical list
Wedding music & entertainment - Your wedding day
Wedding photographer - Photography Hints & Tips
Wedding transport - Arranging wedding transport
Wedding stress_Pt 1 The brides room 'On location' - Article in progress
Wedding video production - Selecting a wedding videographer
Wedding insurance - Request two individual wedding insurance company leaflets
Using the internet to help plan your wedding
Wedding 'Experience' - A place to pass on your unusual wedding tips
This is a brand new free resource, please help us by sending your own wedding experiences - email your top tips to: mail@mailorderweddings.com
-----------------------------------------------------------------------------------------------------------------------------
New wedding product reviews and information - [Text based]
Bridal Veils - Practical advice about bridal veils from off the shelf designs to handmade orders. - This article is due for release soon...
Wedding jewellery - Choosing your wedding jewellery
Handmade wedding tiaras - Practical advice
Koolies - A unique bottle cooler - Ideal for for those hot wedding days
-----------------------------------------------------------------------------------------------------------------------------
Notes for article writers:
We offer a 'free banner space' * and link to your own website in return for writing and allowing us to publish your wedding feature.
* Terms of agreement:
Please check in with us before writing anything, we must first approve the feature and then confirm the arrangements in writing with you. Not all submissions can be accepted.
The article should be un-biased and free of any persoanl gain The name of the writer is never published but their advert is clearly shown in the banner box. Reference to a valid association or good point of reference is permitted if it is in the interest of the reader. The offer is for the life of the advert display time (typically around 1 year) During the first month of the feature it will be published on the home page which has around 10,000 hits a day and offers a far reaching network of links or references and awareness.
If you are interested in writing a feature please contact us for more information by emailing advertising@mailorderweddings.com (to write you must have a Minimum job experience 5 years)
Disclaimer: Mail Order weddings offers advice by goodwill, based upon its own personal experience and information gathered from the trade. Mail Order Weddings cannot be held responsible in any way for the advice it offers to the reader.
http://www.mailorderweddings.com/articles.cfm
Camcorders in Activists’ Hands:
Tools for Change
Communication for Change
Activists often do not have the resources or the time to produce, edit, and distribute documentaries. However, they continue to use video cameras in their struggles for change. Activists have found that video can influence behavior and keep the opposition on their toes. They want to demonstrate to their adversaries that they can reach a large audience with powerful video images. Video is a potent tool for advancing campaigns and building social movements. The following examples illustrate how a video camera can be a valuable, non-violent tool.
1) Cameras Protect Activists
Buffalo Field Campaign (BFC) (www.wildrockies.org/Buffalo) is an activist organization dedicated to the preservation of America’s last herd of wild buffalo. They send video cameras out with activists on all of their campaigns. Sometimes these activists put themselves in dangerous situations, for example, locking themselves on cattle catchers as a way of impeding law enforcement efforts to capture or kill buffalo. In these heated situations, they find that the cameras help keep the law enforcement officials on their best behavior.
“Cameras help to protect our protesters.” —Pete Leusch of BFC
Pete Leusch reports that their videographers are targets for arrest and that ungrounded seizure of their tapes sometimes occurs during these arrests. To deal with this problem, BFC appoints a “runner”. Once something valuable has been recorded, the runner gets the tape out of the area quickly to avoid confiscation by the police.
2) Video Gives Leverage to Victims of Violence
Aklima Begum lives in a village in Western Bangladesh. She is a member of Banchte Shekha, a community development organization that provides video training, access to credit, and health services. Aklima learned to operate a video camera and document cases of domestic violence and dowry abuse. Her tapes are used to educate and to advocate for just settlements in traditional village hearings. Recently, the threat of making a video about a woman’s case was enough to motivate the woman’s husband to negotiate a settlement. The husband did not want to be embarrassed in front of his neighbors. Banchte Shekha leaders assert that the video campaigns serve as a deterrent to abuse and violence
http://www.mediarights.org/news/articles/camcorders_in_activists_hands.php
Communication for Change
Activists often do not have the resources or the time to produce, edit, and distribute documentaries. However, they continue to use video cameras in their struggles for change. Activists have found that video can influence behavior and keep the opposition on their toes. They want to demonstrate to their adversaries that they can reach a large audience with powerful video images. Video is a potent tool for advancing campaigns and building social movements. The following examples illustrate how a video camera can be a valuable, non-violent tool.
1) Cameras Protect Activists
Buffalo Field Campaign (BFC) (www.wildrockies.org/Buffalo) is an activist organization dedicated to the preservation of America’s last herd of wild buffalo. They send video cameras out with activists on all of their campaigns. Sometimes these activists put themselves in dangerous situations, for example, locking themselves on cattle catchers as a way of impeding law enforcement efforts to capture or kill buffalo. In these heated situations, they find that the cameras help keep the law enforcement officials on their best behavior.
“Cameras help to protect our protesters.” —Pete Leusch of BFC
Pete Leusch reports that their videographers are targets for arrest and that ungrounded seizure of their tapes sometimes occurs during these arrests. To deal with this problem, BFC appoints a “runner”. Once something valuable has been recorded, the runner gets the tape out of the area quickly to avoid confiscation by the police.
2) Video Gives Leverage to Victims of Violence
Aklima Begum lives in a village in Western Bangladesh. She is a member of Banchte Shekha, a community development organization that provides video training, access to credit, and health services. Aklima learned to operate a video camera and document cases of domestic violence and dowry abuse. Her tapes are used to educate and to advocate for just settlements in traditional village hearings. Recently, the threat of making a video about a woman’s case was enough to motivate the woman’s husband to negotiate a settlement. The husband did not want to be embarrassed in front of his neighbors. Banchte Shekha leaders assert that the video campaigns serve as a deterrent to abuse and violence
http://www.mediarights.org/news/articles/camcorders_in_activists_hands.php
NewBay Media Announces NAB 2007 Best Of Show Winners
Videography, DV, Digital Cinematography, and Television Broadcast magazines announced their Best of Show awards at the 2007 National Association of Broadcasters Convention.
NewBay Media's Video Group of products, which also includes Government Video magazine and the Creative Planet Community of websites, is uniquely poised to recognize the full spectrum video technology. A select panel of engineers, production and post professionals, and editors judges the Best of Show Awards for each publication.
The Best of Show Awards are given in recognition of outstanding achievement in the advancement of the art and science of video technology, include the Videography Vidy Awards, the longest running NAB awards program, the Television Broadcast Top Innovation Awards, and the DV Black Diamond and the Digital Cinematography Premiere Awards.
"To receive an award, a technology is evaluated by our panel of editors and industry experts," says NewBay Media Video Group Vice President/Group Publishing Director Doug Krainman. "The winning technologies reflect innovation and engineering excellence.
"Our editors searched the NAB show floor for products that were truly innovative and that will enhance workflow for our readers," continues Krainman. "The winners of these awards have shown a deep understanding of their users and have created products that will make video professionals' lives easier and projects better. They deserve the recognition that these awards bestow on them."
"Recognition with a NAB award from the Video Group is a true vote of confidence and admiration from these leading publications," adds NewBay Media Video Group Editorial Director Cristina Clapp.
http://www.videography.com/articles/article_14931.shtml
NewBay Media's Video Group of products, which also includes Government Video magazine and the Creative Planet Community of websites, is uniquely poised to recognize the full spectrum video technology. A select panel of engineers, production and post professionals, and editors judges the Best of Show Awards for each publication.
The Best of Show Awards are given in recognition of outstanding achievement in the advancement of the art and science of video technology, include the Videography Vidy Awards, the longest running NAB awards program, the Television Broadcast Top Innovation Awards, and the DV Black Diamond and the Digital Cinematography Premiere Awards.
"To receive an award, a technology is evaluated by our panel of editors and industry experts," says NewBay Media Video Group Vice President/Group Publishing Director Doug Krainman. "The winning technologies reflect innovation and engineering excellence.
"Our editors searched the NAB show floor for products that were truly innovative and that will enhance workflow for our readers," continues Krainman. "The winners of these awards have shown a deep understanding of their users and have created products that will make video professionals' lives easier and projects better. They deserve the recognition that these awards bestow on them."
"Recognition with a NAB award from the Video Group is a true vote of confidence and admiration from these leading publications," adds NewBay Media Video Group Editorial Director Cristina Clapp.
http://www.videography.com/articles/article_14931.shtml
Wednesday, November 14, 2007
Wedding Videographers (Some) Are Like Paparazzi
If your considering a wedding videographer, I'm going to share with you a dirty confession. For the last 10 years I've felt the fun and pain of filming a romantic wedding film. In fact, I made a lot of mistakes early on and from that I learned the hard way how to create a great video.
Thank the lord you don't need to be a victim of sloppy wedding videography. Let's take a look at some of the challenges brides encounter in choosing their video expert and more importantly what you should know to receive the very best.
#1. Competence - Making wedding documentaries requires immaculate detail, focus, a photographic background, and artistic style. Unlike filming on a television set where the environment is fixed wedding film making involves ingenuity and requires improvisation.
No scripts, no retakes, and the lighting and sound are in flux. You wouldn't put your wedding memories in the hands of an amateur. Picture in focus ? Audio distorted ? A demo reel is mandatory. Even better, ask for referrals.
#2. Personality - A great wedding requires a coordinated effort. It's a referral-based business and having an immature attitude can add a lot of drama for other vendors. Check with your photographer if he knows the videographer you've considered. This is a great way to prevent potential problems.
A pro videographer will stay clear of the photographer's space and vice versa. A great cameraman will work around the photographer's shooting area without disrupting the flow of the day.
#3. Personal Space - There's nothing worse than being followed by a bunch of paparazzi. Unless you crave the attention of a movie star you'll need a videographer that honors your personal space without shining a bright obnoxious light into your eyes. Yes, it's true on-camera lighting is a necessity for low lighting but a seasoned videographer will sprinkle a splash of soft light while preserving the mood.
As a rule of thumb I keep a safe distance of 5-8 feet from the bride and groom whenever filming. This allows for a personal experience of the romance, humor, and excitement without overstepping their comfort zone.
#4. Content is King - Search any bridal forum and you'll come across a bride saying, "The day goes by so fast I can't remember half of what I said." Whether it's the romantic seduction of your first dance or the hysterical slightly-embarrassing toast given by the best man brides need to be aware of what you bargained for. Never assume anything. Consult with your videographer and provide them a schedule and shot list. Even, better find out if they offer long-form (60mins) or short-form videos (30mins).
Depending on your specific tastes, one-hour videos tend to be more popular. However, it is not the quantity but the quality of the video that ultimately leads to your satisfaction.
Mark Pommett is a Las Vegas Wedding Videographer with over 10 yrs exp in wedding video documentaries. In addition, he's worked in production for several films including "Click" starring Adam Sandler. Click here for freewedding videography articles.You may run this article provided you run it with the bio box intact.
Digital Videographer
Digital videographers are in high demand. They serve dozens of industries from the entertainment industry to the legal industry. This profession is lucrative, fun, exciting and rewarding.
Some of the equipment that you will need to familiarize yourself with if you intend on becoming a digital videographer include digital camera equipment, digital media storage and digital editing software and equipment. While this list may seem short, the amount of equipment that you will need to learn about is quite exhaustive, if you take into consideration all of the items that can be listed under each of these main equipment headings. For example, under the digital camera equipment heading alone you have: digital mini dv, digital optical zoom, digital still camera, digital batteries, digital camcorder and digital 8 mm camcorders.
Professional digital videographers need to be trained. This training can be obtained by going to a professional video or film school, it can obtained by taking advantage of online training programs or it can be obtained by signing up for film production seminars and workshops. The type of coursework taken needs to be based on what is currently expected by the digital videography customers and what type of digital video services you plan on offering.
There are three main categories of education that professional digital videographers need. The first category is business. There are several business courses that digital videographers can benefit from including budgeting, scheduling, managing and film law. The next category of education that professional digital videographers can benefit from is creative coursework. Under this category are the courses that deal directly with the production of a digital film.
Camera operation, lens selection, lighting, editing, directing and writing are all covered under this category. The final category of educational topics to be covered by a quality digital film program is technical concerns. This category covers the selection, operation and management of hardware and software needed for digital video productions.
Forensic animation can be a critical part of a criminal or civil court case. It uses the latest 3D animation software to recreate events, to clarify sequences of events and to identify flaws in testimony. Settlement documentaries can be a key factor in settling your personal injury or wrongful death case out-of-court. They can also be re-edited to be admitted as video evidence in the event your case goes to trial. Becoming a videographer is not always easy. However, because the demand for the services offered by videographers is so high, it is worth the work and effort to become one.
Avoiding The Photographer and Videographer From Hell
Your wedding day ought to be the most memorable and the most wonderful event of a lifetime. There is absolutely no greater let down than when you get the copies of what should have represented your dream come back as substandard because your videographer and your photographer did a horrible job. And I bet you probably know someone that experienced the photographer and videographer from hell. Here are some helpful hints to keep you from getting burned.
1. If you want a photographer and a videographer do not select them separately. Ask either of them to recommend someone that they have successfully worked with in the past. This is critical because chemistry has a lot to do with how your end results will be. When they have worked together in the past, they know each others style and will respect each others shots. Otherwise things become very territorial and unless the photographer and the videographer come to terms before the event you run the risk of not getting the absolute best because instead of working together they will be working from the standpoint of avoiding getting in each others shots. If you do not wish to have the photographer and the videographer from a recommended source, at least try to get them together before your wedding to establish ground rules.
2. Understand that you really do get what you pay for. Many people want to have a great services at a budget price. You will be able to find them, and you will get a production from them. However, since the work of the photographer and the videographer will represent your lasting memories, I would recommend getting those that price within the industry. Because if your photographer or videographer is charging industry rates then they know what industry professionals are defined as. Which means they will have commercial industry equipment and work with commerical industry editing software, and they will be trained in creative imaging. This sets them a part and is worth the investment. Your pictures and videos will not be point and click. They will be creative and stunning.
3. View samples of their work and read their contracts. Most will have a demo for you to view. If you don't get a demo at least ask for references. A good videographer and photographer will have a contract. They normally will require a percentage down, full payment before the event and rights to use your wedding for promotions. This is pretty standard.
4. Cooperate with your hired professional. Lighting is a critical element and there are many factors that effect this. If they recommend a particular lighting level work with them because it will ensure your best footage. Other things that present problems are buildings with lots of glass or shooting in direct sunlight. Your photographer or videographer may recommend changing some things because of this. I would recommend working with them.
5. If you wish to meet with them request meetings only after you have researched what you want that way you will be ready to make a contract when you meet with them. They will appreciate you for respecting their time. I personally have had meetings with clients that were not ready to make a contract during the meeting and then when they were ready the time was already booked. Please don't miss the opportunity to work with a quality professional. Do all your homework first and then be ready to select a vendor.
6. Be kind to your hired professional. You will be surprised how many upgrades you can get for free just by working with them in a kind manner.
7. Ask persons that used their services at their weddings to make recommendations.
8. Ask questions and here are a few good ones:
How much time will it take to get my video back? If it is shorter than 3-4 weeks barring any previous edits that must be finished before your event I would want to know more. Quality productions take time.
What editing software do you use? Professional photographers will usually use high end Adbobe type programs for paint, touch up and creative composites. Professional videographers will ususally use Adobe Premier for PC and Final Cut Pro for Macs.
Ask them about their upgrades. These type people are very creative and you might find a few things that are available that you did not know existed. Such as streaming the video live for guest that can make the wedding. Or have a site where your wedding can be displayed for 30 days for people we weren't able to make it. Also they can make copies for anyone that you would like. Videographers also offer video thank you cards for about $7-$10 a DVD.
9. If either of them knows other wedding professionals ask them about it, because it can make your event easier and quicker to plan.
10. Ask about specials. They often run specials. They discount deposits and even give some events for free. Their promotional opportunities can work out wonders for your budget. Here are some places to find discounted or free stuff in addition to opportunites run by photographer and videographers:
About.com wedding freebies - they have a lot of good stuff Bridal Freebies.com - they have a lot of good stuff and lots of variety theislandminister.com - this is a very good site to find great stuff in Texas Texanweddings.com - they travel and do excellent photography/ Recently heard that they may be giving a free photo shoot for brides early in 2008 ibn7.tripod.com ( no www.) - Excellent travelling videographers offering a free video production for brides with love stories, drawing for winner will be held on Christmas Eve 2007.
With these pointers in mind you will be well equipped to avoid the photographer and videographer from hell. Good luck on your upcoming special day!
Linda Leon worked in the television industry for number of years and does freelance videographer work. Making brides happy is her speciality. Feel free to contact her at email dearlinda1@yahoo.com or view her demo at http://www.visualbride.com under MVP Productions for Texas videographers.
©copyright 2007 by Linda Leon. Leon.
Your Online Video May Cost You Thousands
You’ve just gotten married, and are traveling the world with your new spouse on your honeymoon. A good friend who filmed the wedding and reception has just finished putting together the footage. He has posted it on YouTube so you both can relive your wedding day on your honeymoon.
The video is wonderful. It illuminates several moments you’d missed in the excitement of the day. Your friend has even included your song, Endless Love, as the background music for the video.
After the honeymoon, as you unpack the doorbell rings. Opening the door you find a man asking for your signature for a package. You think, "Which aunt or uncle must be sending money"? When the deliveryman smiles, hands you the package and says, "You’ve been served." you are surprise and horrified.
Confused, you tear the package open to find a lawsuit for $10,000 for copyright infringement. You wonder to yourself--could this be right? How did I infringe any copyrights? Out of curiosity you scan the pages of the lawsuit for a logical explanation. Then you find it: "the illegal use of Endless Love by Lionel Ritchie and Diana Ross in your wedding video posted on YouTube".
With all the attention YouTube has gotten from the Viacom lawsuit for $1 billion for unauthorized distribution and infringe of copyright laws, everyone has overlooked a possible next wave of lawsuits to come. Those are for the vast majority of online videos that are made by small home videographers who have included music in their videos that has not been licensed for use.
Typically music publishers and record labels have turned a blind eye to home and wedding videographers who produce their own work. Shared with an audience of usually less then 10 close personal friends and family, these home videographers have all but been ignored for years. This was before sites like You Tube, Google Video, ChickShack, AsSeenInVT and a handful of others began creating an outlet for anyone with a video camera. Now home videographers need to be warned. You may soon find yourself involved in lawsuits for illegal use of a copyrighted protected musical recording, the fines for which could be in excess of $15,000 per song.
Remember how fiercely the recording industry went after everyone from children to old ladies who downloaded songs from sites like Napster? It may be only a matter of time until they start going after videographers in the same manner.
Most home videographers are unaware of the limitations on using copyright protected music. The vast number of home Videographers wrongly assume that they can synchronize or place any music they want in their video production. In the past, a small home and wedding Videographer would usually get away with this. The problem is these wannabee Quentin Tarantino’s have now begun distributing their productions to more then just a few friends and family. A video loaded online has the potential market of hundreds of thousands, or even millions, of viewers, and if you’ve created something popular using YouTube, you may be the next victim.
Local TV stations in America can pay tens of thousands of dollars for licensing music for their stations. This price can go into the millions if they desire to use popular artists songs.
For Videographers who have uploaded productions onto sites like YouTube and are now nervous, let me educate you a bit on how licensing works.
Simply put, copyright laws state that any music under copyright protection may not be used for any kind of video production, media presentation, websites, etc--that is, without approval from the copyright owner. Several types of licenses are usually required. These may include some or all of the following: Synchronization, Performance and Master licenses.
Now before you stress over the fact that no one will see your masterpiece or that big the bad RIAA is coming to get you -- there is a solution. First, you must remove the copyrighted music you have in your videos. Then you have the option to either write your own music for your video (most of us are not musically creative enough to go this route) - or license music from an Online Production Music Library.
Online Production Music Libraries typically lease music from their catalogs on either an individual per use basis, called a drop, or blanket licenses that will cover an entire project. The advantages of online production music libraries are the scope, depth and breadth of the catalogs. Pricing ranges greatly, depending on many variables.
Most production libraries do not create music specifically for amateur videographers, but Recently, an L.A. based production music library called TunEdge Music announced it would give special licensing for web distribution. TunEdge Music is providing access to their online catalog and for a reasonable fee their music can be licensed specifically for online creations.
This article was coauthored by Mike Bradbury and Joel Thatcher. Joel is a senior employee of Tunedge Production Music. Tunedge provides production music solutions for professionals and amateurs alike through an online interface. Mike is an analyst for Objectware, Inc, an Atlanta web design company.
Legal Videographers
There are dozens of different professionals employed by the legal market. The legal professionals that most people are familiar with include lawyers, judges, police officers, legal secretaries and paralegals. However, there are also several other professionals that supplement the work done by these common legal business people, and they include forensic scientists, doctors, expert witness and legal videographers.
There are several different types of legal videographer specializations to choose from. Some of these specializations include: court videographers, video deposition specialists, contract videographers and legal reporters. Legal videographers can either be directly employed by a court, or they can be hired by an attorney.
While there currently isn’t a law requiring a legal videographer to be certified, it is definitely in the videographer’s best interest to obtain certification in the type of legal video services they plan to offer. There are several certifications available. A Certified Deposition Video Specialist videotapes depositions to be used for building court cases, a Certified Video Documentary Specialist creates video settlement presentations that are used to encourage court cases to settle out of court, a Certified Court Video Specialist films settlement documentaries and video depositions, a Certified Visual Presentation Specialist offers several services including CGI crime scene recreations, synchronize video evidence and present video evidence in courtrooms and a Certified Legal Video Instructor is a highly qualified legal videographer that is certified to teach legal videography courses and to certify other videographers.
Right now there is a shortage of legal videographers. The need for video specialists is especially high in California, New York, Florida and in high crime cities. If you are looking for a job in the film industry then you may want to consider applying for a legal videography employment opportunity.
Forensic animation can be a critical part of a criminal or civil court case. It uses the latest 3D animation software to recreate events, to clarify sequences of events and to identify flaws in testimony. Settlement documentaries can be a key factor in settling your personal injury or wrongful death case out-of-court. They can also be re-edited to be admitted as video evidence in the event your case goes to trial. Becoming a videographer is not always easy. However, because the demand for the services offered by videographers is so high, it is worth the work and effort to become one.
Tuesday, November 6, 2007
What is a Legal Videographer
A legal videographer is an important legal professional who can specialize in a wide variety of video related legal services. The main services offered by legal videographers include creating Day-in-the-Life videos, forensic animation productions, settlement documentaries and filming court proceedings. Other services offered by legal videographers include legal reporting, video evidence analysis and training new legal videographers.
The first service offered by legal videographers is the production of Day-in-the-Life videos. These videos are developed to be admitted as evidence in a court of law. Their purpose is to demonstrate how an accident or product malfunction has negatively impacted the life of the plaintiff. These video productions utilize many tricks of the trade, like somber music, depressed lighting and dramatic staging of the victim, in order to solicit sympathy for the case’s victim.
The second service offered by legal videographers is the production of forensic animation. These video productions are intended to be admitted as evidence in a court of law. Their purpose is to recreate an event to help clarify to the jury what happened and to clarify who was liable for the accident or for the wrongful death. This service takes time and money. Average forensic animation productions cost over $5,000 to produce and they can take upward of 3 months to complete.
The third service offered by legal videographers is the production of settlement documentaries. Unlike Day-in-the-Life films and forensic animation, settlement documentaries are not intended to be admitted as evidence during a trial. Instead, they are intended to encourage the defendant to settle out-of-court. In the event that an out-of-court settlement cannot be reached, these films can be edited to create very effective Day-in-the-Life films to be admitted as evidence and used to support the plaintiff’s case during their trial.
The fourth service offered by legal videographers is court room video documentation. This is a very basic service. What it entails is setting up a camera in a court room to film the proceedings of a court case in order to preserve it for posterity, public record or to be used by the jury when reviewing the case.
The final service offered by legal videographers is video analysis. There are several different analyses that legal videographers can offer. They can verify that a piece of video evidence has not been tampered with or hoaxed, they can identify anomalies in the video and they can also enhance the video or images to make them easier for the court to interpret.
The profession of legal videographer is diverse, interesting and important. These professionals are responsible for managing, creating and presenting video evidence. They are also used as expert witnesses and for training other junior members of the videography industry. Learn everything there is to know about being a legal videographer from forensic animation specialist to the learning what it takes to become a videographer.
Professional Wedding Photographers and Videographers
These are both an art and a science. The Special moments of your Wedding, Birthday, Anniversary, Sweet Sixteen16, Graduation, Southeast Asian Indian Shaadi, Panjabi Punjabi Sikh Marriage, Muslim Nikah and Walima, Bar Mitzvah, Bat Mitzvah and other similar events can only be captured once. Making them last forever is the promise given by Professional Wedding Photographers and Videographers.
Professional Wedding Photographers and Videographers listen and pay attention to Bride and Groom, their culture and tradition and provide complete strangers with Beautiful Wedding Photos and Videos that outlast their memories and grace the walls of their homes. For this reason you should only entrust Professional Photographers and Videographers on your precious day. Nothing captures our gestures, our voices and our loved ones like Videos and Photos. Whether it is the classical style or the documentary story, Professional Photographers and Videographers are trained to capture both.
Indian Wedding Photographers and Videographers are specialized in Indian, Pakistani, Bangladeshi, Southeast Asian Wedding, Shaadi, Marriages, Mehndi, Nikah, Walima and other events. Desi Indian Photographers and Videographers are very familiar with the cultures and traditions. Professional Photographers and Videographers capture the memories in high resolution Digital Photos. Satisfaction is paramount. Professional Photographers and Videographers make sure your Photography and Videography needs are fulfilled. Professional Photographers and Videographers establish a relationship based on trust and impeccable service.
Professional Wedding Photographers and Videographers really earn their fees.
Affordable Professional Wedding Photographers and Videographers:
Surinder Singh
Professional Wedding Photographers and Videographers
Tel: 917-304-9878
surinder@candlelightstudio.com
http://www.candlelightstudio.com
Sunday, November 4, 2007
Why You Should Strongly Consider Having A Videographer Film Your Wedding Day For You
When planning for a wedding, there are many things to take into account. One of them is the photographer. Everyone wants pictures of their special day so that the memory will stay fresh in their minds and so they can show their children how Mom and Dad used to look. When budgeting for your pictures, consider employing a videographer.
A videographer will capture those moments that a photographer might not, such as cutting the cake and the first dance. They can also capture things that you might not remember, which will add to the enjoyment of watching them over and over again. Before you choose one, do a lot of research. Ask for referrals from friends who have used them for events. Speak to several and see if they offer cost saving packages.
Take time to view videos of other work they have done. This is your special day and once it's over it's gone forever. It's worth the time it takes to make sure that you are getting a true professional. When speaking to the person you are considering, ask about any ideas that you have in mind to see if they are feasible. The more questions you ask, the better the chances that you will get exactly what you want.
When planning where you want the videos taken, make sure the church that you are getting married in will allow it. Not every church does. It's also important to ask how long you will have the church for. There might be another wedding or church event happening after yours and you might have to leave sooner than planned. You can cut down on costs my minimizing the number of cameras and events that you want caught on videos.
When speaking to potential videographers, be sure to let them know where the videos will be taken, because lighting plays a very important role in videography. If you are getting married outside and it's not the sunny day that you envisioned, it's important for the person shooting the video to be prepared for this. Make sure that they are aware that extra lighting might be needed.
You might have what you consider to be great ideas about exactly how and where you want the videos taken. Unfortunately, your ideas may not be easily accomplished. If the videographer makes suggestions about alternate ways to do it or just flat out recommends against it, it is wise to listen to them. They are the professionals and have a great deal of experience in these situations. It's better to know beforehand that your plans are not feasible, so that you have time to change them and come up with ideas that your videographer can capture on film for a lifetime of memories.
Gregg Hall is an author living in Navarre Florida. Find more about this as well as Disposable Wedding Cameras at http://www.funweddingideas.com
Becoming a Videographer
The steps needed to become a videographer are going to vary based on the type of videography services that you plan on delivering. If you plan on offering very basic video services like filming weddings and special events, then chances are you can get by with little formal training. However, if you plan on offering extensive editing and professional video production services, then it is in your best interest to take formal courses in videography, editing and business management.
The first step in becoming a videographer is to determine what type of videographer you plan on becoming. There are a lot of video specialties that you can focus your business on. There are wedding videographers, independent film producers, studio film producers, documentary videographers and legal videographers, just to name a few.
The next step in becoming a videographer is to uncover what education and training you will need to run your video business. People interested in offering wedding filming services will most likely only need basic instructions on how to use a video camera, how to use editing software and how to compose and mix soundtracks for video productions. On the other hand, if you plan on offering more complex video production services then you may want to complete a more comprehensive itinerary of courses. An example of the type of curriculum you may want to cover in your video education include: film producing, film editing, film aesthetics, screenwriting, music composition and editing, after effects, audio mixing, DVD compression, web compression and courses in the use of common filmmaking software programs like DVD Studio Pro and Final Cut Pro.
The third step in becoming a videographer is to acquire the equipment that you will need for your business. To get all of the equipment that you need you will need to have some money set aside to invest. Some of the equipment that you will need include: a computer with multi-media components, digital storage devices and hardware, camera equipment, editing equipment, sound equipment and lighting equipment.
Once you have your video production studio set up, your next step will be to design and implement an advertising campaign. This campaign needs to focus on getting the word out about your services. The marketing devices that you will want to design include: brochures, business cards, price lists and flyers. Finally you may want to put together a demo reel to show potential customers what you can do.
A legal videographer is a video production specialist who is skilled at producing video evidence for legal cases. The services offered by this type of video specialist is in high demand and it pays a very generous salary. Being a professional digital videographer takes more than just knowledge of how to use a digital camcorder. It takes expertise in a variety of business, creative and technical subjects. There are a lot of videography equipment that videographers need including: cameras, tripods, editing software, video monitors, cases, lenses and mixing devices.
Saturday, November 3, 2007
Videography Tools and Accessories
Videography can be both a profession and a hobby. However, to generate the best results from your efforts you need the proper tools and accessories. If you are a videography hobbyist then you will need a basic set up including a camera, editing software, image storage devices, basic lighting and basic sound recording tools. On the other hand, if you are trying to pursue videography as a career then you will need a much longer list of equipment, tools and accessories in order to meet the demands and expectations of your customers and audience.
If you are interested in videography as a hobby then you can get your video set up for under $2,000. You will first want to buy a good digital camcorder. Look for a camcorder that has easy to use features, a touch sensitive screen, a digital zoom, digital image steadying and night vision. Next you will want to purchase camera accessories to both enhance your films and to protect your camera. Some of the items that you may want to buy include: a padded camera case, a basic lighting set up, special effects lenses, petroleum jelly, a tripod and film or discs.
For those of you who are planning a career in videography, you will need a much more extensive inventory of video equipment, tools and accessories. In addition to a high quality digital camcorder or film camcorder, you will also want to invest in a quality lighting set up, a boom microphone, sound recording equipment, sound editing equipment, a computer, and professional video editing software like Final Cut Pro. You may also want to look into software that you can use to create special effects with.
Once you have your basic equipment, your next step will be to look for supplemental tools and accessories that you can use to improve the quality of your film productions. For example you may want to purchase royalty free music clips, stock animation clips and stock footage clips that you can use to punch up your productions. You may also want to purchase virtual sets to help improve the overall look of your scenes. Finally you may want to invest in training DVDs. These DVDs will show you how to generate special effects, how to set up special shots and how to change the mood of your scenes with lighting, music and sound effects.
A legal videographer is a video production specialist who is skilled at producing video evidence for legal cases. The services offered by this type of video specialist is in high demand and it pays a very generous salary. Being a professional digital videographer takes more than just knowledge of how to use a digital camcorder. It takes expertise in a variety of business, creative and technical subjects. There are a lot of videography equipment that videographers need including: cameras, tripods, editing software, video monitors, cases, lenses and mixing devices.
Wedding Videographer Checklist - 25 Questions To Ask Wedding Videographers
Wedding video production brings you as close to reliving your wedding as possible. Many couples choose to have their wedding captured on film because they want to be able to look back on their wedding and not only see pictures, but relive the sight, sounds and emotions of their wedding. The best way to select your wedding videographer is to see demos of their work. You may want to select several videographers in your area, from the least expensive to the most expensive and compare the styles and quality of video they produce. You may find that an average cost videographer is on par with the most expensive, or that an inexpensive videographer will work just fine for what you had in mind for your wedding video. Keep in mind that companies who have several videographers often will showcase their best work, but will assign someone else to your wedding.
Once you have narrowed down your selection of wedding videographers, you should ask them several questions before making a final decision. Here are is a list of questions you may want to consider asking the wedding videographers before signing on the dotted line.
Name and Location of Videographer:
Contact Person and Telephone Number:
- How many years of experience do you have as a videographer?
- Approximately how many wedding videos have you videotaped?
- What is your style of video production? Documentary or cinematic?
- What type of packages do you offer?
- How much will it cost for the package I am interested in?
- Can you add in a photo montage, if so, what is the cost?
- Does the package include titles for the video, if not, can it be added, and at what cost?
- How many hours does this package include?
- How is overtime calculated?
- How much are additional copies?
- Do you edit the video after the event?
- Who keeps the raw footage?
- How long after the wedding does it take to receive the final product?
- Are you the person who will be videotaping my wedding?
- Will you have an assistant or other videographer with you on the day of my wedding?
- Are you familiar with our ceremony and reception location?
- (If No to above) Do you visit the ceremony and reception sites before the actual wedding date?
- What type of equipment do you use?
- Do you bring back up equipment with you to the wedding?
- What format do you use?
- Do you have a wireless microphone?
- What is your payment policy?
- What is your cancellation policy
- Do you offer a money back guarantee?
- Do you have liability insurance?
Erica Tevis is the owner of Little Things Wedding Favors Visit them on the web and check out their large supply of wedding favors, themed favors, invitations, and wedding accessories.
Friday, November 2, 2007
How to Choose the Best Video Editing Software
If you're just starting out in digital video, or even if you're a season videographer, you may be confused by the vast range of video editing products in the market today. Some software packages cost $500 or more while others are below $100. How do you decide which package to choose? That's the aim of this article - it'll help you understand what factors to consider when choosing that video editing package and how to get the best deal.
1. Your Budget
First and foremost on my list of factors to consider when purchasing a video editing package - your budget. If you're a beginner, I recommend you go for cheaper software like Roxio VideoWave or Pinnacle Studio Plus. I know many people swear by the powerful editing suites like Adobe Premiere Pro, but for the average user, it is complete overkill. The cheaper packages save you money and will fulfill most of your video editing needs. You can always upgrade to better software when you're more experienced.
2. Video File Import and Export
Second factor I'd always consider is the ability to import and export various formats of video files. If you want to import Quicktime movie files or RealMedia video and edit them, check the package to ensure you can import those video formats. Same thing for exporting video files - if you want your finished product to be a Windows Media file, ensure the package supports that feature.
3. Special Effects
Third point - the special effects included in the video editing software. Cheaper software like Roxio VideoWave or Ulead VideoStudio will have more 'stock' special effects that do not allow customization. Packages like Adobe Premiere will allow you more flexibility in special effects. This factor is important if you foresee yourself playing with screen transitions and tilting a lot.
4. Bundled Software (Audio/Music/DVD)
Another point is to see what bundled software comes with the video editing package. Very often, you'll have things like VCD/DVD authoring packages thrown in (e.g. Ulead DVD MovieFactory). Some products bundle in music creation packages like Sony Acid Pro. These products can be really good deals as the bundled software can cost hundreds of dollars if sold separately.
5. Recommended Software
OK, now let's see what are the video editing products I recommend based on the type of user you are - beginner, intermediate and professional.
- For the Beginner - For those starting out in video editing, my best recommendation is ... Roxio VideoWave. This is an excellent package built around an automated approach to video movie creation. VideoWave will help you save hours of video editing time and easily turn your home videos into movies on DVD or CD.
- For the Intermediate Level User - If you're more experienced in video editing, a good choice will be Ulead VideoStudio. This package is twice the price of Roxio VideoWave - but the additional money is well spent. One of the best mid-range video editing programs, Video Studio provides features that will suit both beginners and intermediate videographers.
- For the Advanced User - If you're a professional video editor, you will most likely have used Adobe Premiere. This product is the industry standard for video editing. Lots of features, plug-ins as well as excellent product support. I strongly recommend this for advanced users who want to tweak and customize their videos to their heart's content.
Conclusion
All in all, there is a huge range of video editing software in the market. My basic advice is to start simple. Go buy a product like Roxio VideoWave and try out its features. Learn the ins and outs, get comfortable with the software. Once you progress and learn more about video editing in general, you can then consider upgrading to better products like A or even B.
Gary Hendricks runs a hobby site on digital videography. Visit his website at http://www.desktop-video-guide.com for tips and tricks on buying digital camcorders, as well as shooting and editing great videos.
Tips When Choosing Your Wedding Photography Videography
A marriage is a whirlwind of activity, and that's why there is one aspect to consider in wedding photography: Videography.
By having professional wedding photographers commemorate your special day on film, you will be able to relax after all the activity is over and watch your special day unfold again.
A marriage video will let you see all the little things that happened while you and your new spouse were being the perfect hosts to a reception hall full of guests.
Many couples choose a wedding photography studio that offers wedding photography/videography packaged together. It is often much more financially viable to purchase both elements as part of a package rather than separately.
However, you must be sure that the studio's videographers are competent and experienced in the unique medium of film. Some less-reputable studios have begun simply sticking camcorders in the hands of staff photographers in an effort to cash in on the videography market.
When selecting your videographer, it is very important to view examples of his or her previous work. As anyone who has taken video of a vacation or kids at play knows, wedding photography videography is not easy.
It takes special talent and training to produce professional quality video. Additionally, viewing the videographer's work will give you a feel for his or her overall style as well as the elements on which the videographer chooses to focus.
Interview prospective marriage videographers just as carefully as you would potential professional wedding photographers. Presented here is a list of suggested questions. You may have additional questions based on your individual circumstances.
1. Will you be the actual videographer for my special day? As with photographers, some studios employ staff videographers. You want to meet with the actual person who will film your marriage.
A corollary question is whether the sample video you view was recorded on the same type of equipment that will be used at your wedding.
2. What extra fees might I incur? Discuss available packages and extras that you might need. Negotiate all fees; even those that you think will not apply such as overtime.
Try to get the videographer to work certain extras into your package price. Affordable wedding photography/videography is available but you may need to enter into careful negotiations.
3. What format of equipment do you use and what is your experience level with that format? As with photography, the digital versus film debate rages in videography as well. Both formats have their own advantages and disadvantages.
Whichever format you select, be sure that the videographer is comfortable and experienced with that format.
4. What type of backup equipment do you carry and how does the backup compare to the original? Your special day is a one-time event. If the videographer's equipment fails, it is crucial that he or she can switch quickly and seamlessly to a backup.
However, some backup equipment is older and crude by today's standards. Be sure that the backup equipment is of acceptable quality.
5. How much control will I have over the elements that are included in the video? Many couples give little thought to their marriage video, instead turning full control over to the videographer.
Yet the video is your living record of your carefully planned special day. Choose a videography professional who will work with you to help you decide which events should be covered and how the final video should be edited.
While it's great to have traditional marriage photography, wedding photography videography can enhance your experience. Why stop at still photographs when you can get the full experience of sight and sound to go with those images?
If you have your heart set on filming your special day, and your marriage photography studio doesn't offer that option, ask the photographer in charge if he can refer someone to you.
Take your time and shop for the right person to do the job, and you won't be disappointed.
Wedding photography can give you some great moments to treasure. Learn more about wedding photography videography at Mike Selvon portal. While you are there leave is a comment at our professional wedding photography blog, and receive your FREE gift.
Thursday, November 1, 2007
Getting Married? Some Choices To Make
Once you begin planning a wedding, you'll quickly encounter lots of options and choices for which you need to make decisions. These range from flower arrangements to destinations. Even then there are more choices!
For example, there is the wedding videographer or, at least, a freelance photographer. Today's wedding videos are much different than former ones. They can be edited, produced, and have music, sound effects, slow motion, and other "special effects" put in for fun. Smaller, more light-sensitive cameras are available to today's videographers. This means less anxiety and cumbersome cables and cords. You can get a documentary-style video of the day just how it happened, or you can make it more cinematic. Furthermore, the cinematic approach to the wedding can be reflected in a wedding with a lot of glam, posed shots, and royal fashion.
Book the videographer several months in advance, usually about 9 months minimum. Don't pick the first videographer you come across. Instead, look through his past work for samples. A good portfolio of videos speaks volumes about what you'll see. Look at the brightness, quality of sound, the picture, and other indicators. A good videographer should have some samples for you to look through. Always look through bridal publications and do a lot of interviewing yourself beforehand. But what about the flowers? Pink, purple, orange, red, white, yellow, or any of numerous beauteous shades will be used for the bride's bouquet, the bridesmaids' hairpieces, the flower girl's hairpiece, the bride's going away corsage, the tables, e.g., head, guest, buffet, punch, the groom's boutonniere, the maid of honor's hairpiece, the alter candelabra, and the aisle pews - to name but some. If all else fails - or if you just want a little extra help - contact a certified wedding planner or wedding consultant.
Eric Hartwell oversees "The World's Best Homepage" intended to be a user-generated resource where YOUR opinion counts. Anybody can contribute and all are welcomed. Visit us to read, comment upon or share opinions on marriage and weddings and visit our associated site articles for free.
Fasttrack To Video Editing - Part 01
Video Editing is the process of modifying segments of video hots to form another piece of video. Editing is one the fundamental steps of the post production process. Other tasks include titling, color correction, sound mixing, and more.
The term "editing" involves the following:
1. Modifying sections of video and/or audio clips.
2. Applying color correction, fx filters, and sound filters.
3. Adding video transistions between clips.
The Purpose of Editing.
There are several reasons to edit a video and your editing techniques will depend on the situation. Before you begin a project, you must understand your editing goals.
Eliminate Unwanted Footage.
This is the most basic task of editing. Cutting out flawed or unwanted takes can significantly improve your video.
Select The Best Footage.
It's quite normal to shoot alot more footage than you actually need. Often you will shoot several takes of a shoot and choose the best one when editing.
Pacing and Creating A Flow.
The majority of videos serve a purpose such as telling a story or providing entertainment. Editing is one of the most important procedures in making sure the video is paced in manner that achieves this goal.
Add Visual Effects, Graphics, and Music.
This is often referred to as the fun part of editing. Great title designs and music integration can separate an amateur video from a masterpiece.
Set The Tone or Mood.
A talented editor will be able to create subtle changes in mood and atmosphere. The use of music, sound effects, and color can influence how an audience may respond.
Adding The Angle.
Video is a compelling format to express a viewpoint or message.
Stay tuned for Part 02 as we go into the details of the different types of video editing ...
Mark Pommett is a producer of wedding videos in Los Angeles. He has over a decade of experience as a professional videographers. Click here for free video training and videography lessons.
Wednesday, October 31, 2007
Forensic Animation
Forensic animation is a newer legal tool used in just about every type of legal suit imaginable. In murder cases forensic animation can be used to recreate a forensic crime scene. In car accident cases this legal video tool can be used to recreate the accident and to determine who was at fault. However, while this technology is very effective, before it can be used as evidence it needs to be evaluated by the court for its admissibility.
The admissibility of forensic animation depends on several factors. First of all the court is going to look at how objective the animation is. They are going to look for significant biasing of the animated footage, which can give one side an unjust advantage. Next the court is going to look at the data used in creating the animation. The data used must be verifiable and it must be supported by witness testimony or authoritative facts. Finally, the forensic animation must be easy to understand and be relevant to the case at hand.
Forensic animation, while intriguing and helpful, is not right for every type of case. It is expensive and it takes time to generate. For most average forensic animation presentations under 3 minute, you should expect a turn around time of between 1 and 3 months. You should also expect to pay $6,000 plus for a piece of forensic animation. The actual cost that you will incur is going to depend on how long the piece needs to be, the complexity of the animation used, how soon you need the piece by and what forensic animation company you use.
The cost of forensic animation mostly goes towards the labor costs. In fact, labor is going to make up about three quarters of the total cost of your animation presentation. Some of the labor costs that your project will incur include: consulting, model generation, camera animation and actor animation. Again the actual costs that you will be charged are going to depend greatly on the complexity of the animation that needs to be generated and the company that you work with.
A legal videographer is a video production specialist who is skilled at producing video evidence for legal cases. The services offered by this type of video specialist is in high demand and it pays a very generous salary. Being a professional digital videographer takes more than just knowledge of how to use a digital camcorder. It takes expertise in a variety of business, creative and technical subjects. There are a lot of videography equipment that videographers need including: cameras, tripods, editing software, video monitors, cases, lenses and mixing devices.
The admissibility of forensic animation depends on several factors. First of all the court is going to look at how objective the animation is. They are going to look for significant biasing of the animated footage, which can give one side an unjust advantage. Next the court is going to look at the data used in creating the animation. The data used must be verifiable and it must be supported by witness testimony or authoritative facts. Finally, the forensic animation must be easy to understand and be relevant to the case at hand.
Forensic animation, while intriguing and helpful, is not right for every type of case. It is expensive and it takes time to generate. For most average forensic animation presentations under 3 minute, you should expect a turn around time of between 1 and 3 months. You should also expect to pay $6,000 plus for a piece of forensic animation. The actual cost that you will incur is going to depend on how long the piece needs to be, the complexity of the animation used, how soon you need the piece by and what forensic animation company you use.
The cost of forensic animation mostly goes towards the labor costs. In fact, labor is going to make up about three quarters of the total cost of your animation presentation. Some of the labor costs that your project will incur include: consulting, model generation, camera animation and actor animation. Again the actual costs that you will be charged are going to depend greatly on the complexity of the animation that needs to be generated and the company that you work with.
A legal videographer is a video production specialist who is skilled at producing video evidence for legal cases. The services offered by this type of video specialist is in high demand and it pays a very generous salary. Being a professional digital videographer takes more than just knowledge of how to use a digital camcorder. It takes expertise in a variety of business, creative and technical subjects. There are a lot of videography equipment that videographers need including: cameras, tripods, editing software, video monitors, cases, lenses and mixing devices.
Spy Equipment for Everyone - Spyware for Surveillance, Security, Privacy, and Safety
I'm not very technological saavy and consider myself a dummy when it comes to gadgets.
Upon preparing to go overseas to film a few documentaries in some third world countries where human trafficking and drugs are a major problem, I endeavored to buy some spy equipment for videography. What I found was quite surprising and enlightening.
There is a wide disparity between types of spy equipment, companies who retail it, and the prices they charge to the unsuspecting consumer. Had I not done my homework I would have easily overspent $500 to $600 and I am working on a very small budget.
Websites are countless that offer this stuff, but when you try to phone them for technical support or to ask a few simple questions they usually never answer their telephones. That is the first sign you don't want to deal with that company. If you are anything like me and need tech support for the stuff you buy, then you don't want to buy from a company who is never available to help teach you how to use their spy equipment.
Secondly, if you can't ask questions before buying (and sadly this is often the case as most vendors just want to sell not educate the public lest their profit margins be jeopardized), then you very well might buy the wrong kind of equipment. Law enforcement agents have different reasons for buying than do videographers and filmmakers.
Hence the necessity to ask questions and talk to someone knowledgeable. I found finding this key special someone with a heart and degree of morality to be a daunting task. After many days of web searching, phone calling, and being put on hold (only to later be told little helpful info buy the phone rep) I stumbled upon a guy who provided outstanding service.
To fully appreciate how good the guy was who helped me, you'd have to have seen how the local store owner handled me. The guy in my town here in Orlando was rude, impatient, and condescending.
Thankfully I found a gem in a guy named Zeek, a sincere helpful gentleman who kindly spoke with me on the phone for nearly an hour and patiently endured all of my dumb questions.
Undoubtedly God favored me allowing me to find Zeek, who told me all I needed to know, kept me from buying the wrong stuff, and gave me a price well below the other crooks out there selling spy equipment.
His company website is outstanding, detailed, and professional. It was the customer service most of all that did it for me as I'm kind of clueless when it comes to technology and spyware. The beautiful thing is now I am living my dreams as a filmmaker doing documentaries overseas and helping humanity.
It just goes to show you we are all interconnected and need each other. Believe God and good things will come to you. Pray for divine appointments and connections with key people who can save you a lot of grief and frustration.
We got our spy equipment the next day drop shipped to us and tried it out that night. My video guy Chris was really surprised how well it worked and the image clarity when we put it on his computer to see if this might work for us in filmmaking.
We took the spy cam out to some clubs and got some great footage and hid all the gear in our cargo pants. It was an unforgettable adventure!
Next destination Indonesia!
Call my buddy Zeek for knowledgeable service, patient care, and wise advice on what spy equipment is ideal for you. For the red carpet treatment tell Zeek that Pastor Paul Davis from Orlando, FL referred you.
Don't overpay, buy the wrong equipment (remember most companies have a no return policy), or get mistreated by jerks out there. Go to http://www.startechoutlet.com but most importantly call Zeek to talk through what it is you're trying to accomplish, for what you are buying your spy equipment, and let him advise you what is most appropriate to buy.
Call Zeek directly at 512-670-1884 or toll free at 877-513-7076. Don't be discouraged if voice mail picks up, just leave a message and Zeek will promptly phone you right back.
To contact me or make a charitable contribution:
Paul Davis c/o
Dream-Maker Ministries
PO Box 684
Goldenrod, FL 32733
Upon preparing to go overseas to film a few documentaries in some third world countries where human trafficking and drugs are a major problem, I endeavored to buy some spy equipment for videography. What I found was quite surprising and enlightening.
There is a wide disparity between types of spy equipment, companies who retail it, and the prices they charge to the unsuspecting consumer. Had I not done my homework I would have easily overspent $500 to $600 and I am working on a very small budget.
Websites are countless that offer this stuff, but when you try to phone them for technical support or to ask a few simple questions they usually never answer their telephones. That is the first sign you don't want to deal with that company. If you are anything like me and need tech support for the stuff you buy, then you don't want to buy from a company who is never available to help teach you how to use their spy equipment.
Secondly, if you can't ask questions before buying (and sadly this is often the case as most vendors just want to sell not educate the public lest their profit margins be jeopardized), then you very well might buy the wrong kind of equipment. Law enforcement agents have different reasons for buying than do videographers and filmmakers.
Hence the necessity to ask questions and talk to someone knowledgeable. I found finding this key special someone with a heart and degree of morality to be a daunting task. After many days of web searching, phone calling, and being put on hold (only to later be told little helpful info buy the phone rep) I stumbled upon a guy who provided outstanding service.
To fully appreciate how good the guy was who helped me, you'd have to have seen how the local store owner handled me. The guy in my town here in Orlando was rude, impatient, and condescending.
Thankfully I found a gem in a guy named Zeek, a sincere helpful gentleman who kindly spoke with me on the phone for nearly an hour and patiently endured all of my dumb questions.
Undoubtedly God favored me allowing me to find Zeek, who told me all I needed to know, kept me from buying the wrong stuff, and gave me a price well below the other crooks out there selling spy equipment.
His company website is outstanding, detailed, and professional. It was the customer service most of all that did it for me as I'm kind of clueless when it comes to technology and spyware. The beautiful thing is now I am living my dreams as a filmmaker doing documentaries overseas and helping humanity.
It just goes to show you we are all interconnected and need each other. Believe God and good things will come to you. Pray for divine appointments and connections with key people who can save you a lot of grief and frustration.
We got our spy equipment the next day drop shipped to us and tried it out that night. My video guy Chris was really surprised how well it worked and the image clarity when we put it on his computer to see if this might work for us in filmmaking.
We took the spy cam out to some clubs and got some great footage and hid all the gear in our cargo pants. It was an unforgettable adventure!
Next destination Indonesia!
Call my buddy Zeek for knowledgeable service, patient care, and wise advice on what spy equipment is ideal for you. For the red carpet treatment tell Zeek that Pastor Paul Davis from Orlando, FL referred you.
Don't overpay, buy the wrong equipment (remember most companies have a no return policy), or get mistreated by jerks out there. Go to http://www.startechoutlet.com but most importantly call Zeek to talk through what it is you're trying to accomplish, for what you are buying your spy equipment, and let him advise you what is most appropriate to buy.
Call Zeek directly at 512-670-1884 or toll free at 877-513-7076. Don't be discouraged if voice mail picks up, just leave a message and Zeek will promptly phone you right back.
To contact me or make a charitable contribution:
Paul Davis c/o
Dream-Maker Ministries
PO Box 684
Goldenrod, FL 32733
RevivingNations@yahoo.com
407-284-1705; 407-967-7553
www.CreativeCommunications.TV
http://www.DreamMakerMinistries.com
Tuesday, October 30, 2007
Quality and Creativity Come Together With a Professional Digital Camcorder
A professional digital camcorder allows for creativeness and quality to meet, and the price is more affordable than it was just a few years ago. Even back in the latter half of the 1990's the majority of professionals were utilizing Betamax professional quality analog recorders, although the professional digital camcorder was beginning to stand on its own back then.
In 1997 at a news conference in Roswell, New Mexico on the 50th anniversary of the historical alleged UFO crash journalists in the press room were completely shocked as a professional videographer strolled into the room holding a very little professional digital camcorder, for the first time many of them had seen one. It was a small fraction of the size of the really big Beta machines they were holding, and created a a great deal higher quality picture. The small-scale but very capable professional digital camcorder this newsman held rather honestly caused him to be the news much more than the speaker at the conference, at least amongst his companion journalists and other co-workers.
These days the vision of a pocket-sized professional digital camcorder does not induce as much of a splash that it did back then. As a matter of fact, the costs have been cut back so much that even unskilled videographers at times own professional digital camcorders, or they have a really high end consumer models that come very close, and are often known as "prosumer" since they are nearly a cross between a consumer type and a professional digital camcorder.
The Sky Is The Limit With A Professional Digital Camcorder
The next time you watch a TV news crew reporting a story, have a look at the equipment they are holding. There are numerous well liked quality makes that are used by professionals, but it is rather probable that if the TV station is resolved in regards to the news business the newsmen are using a professional digital camcorder instead of an aged analog camcorder. Being capable of recording directly to a digital format also gives the ability to the producers to edit the pictures a great deal faster than was done in the past.
With computers getting more and more powerful and as well as much more inexpensive and software heading in the same direction, the power to edit the images that you capture with a professional digital camcorder are not merely for pros any longer. Even competent amateurs can do a very good job at it. And for those thinking about a vocation in broadcasting, discovering how to use a professional digital camcorder at an early age is something that can be achieved through an internship or courses at a, community college, university or vocational school. The sky is really the limit with a professional digital camcorder.
Listen to Korbin Newlyn as he shares his insights as an expert author and an avid writer in the field of electronics. If you would like to learn more go to Camcorder Comparison and Review advice and at Digital Video Camcorder tips.
Digital Camcorder Accessory Bag - A Much Needed Component
A digital recorder accessory bag is an essential part of a digital camcorder's needed accessories, and is definitely required by anyone interested in pursuing a career in videography. In reality, the majority of professionals, whether their work is in photography or strictly video, wouldn't even imagine of going out into the field to work and not have some sort of digital camcorder accessory kit with them.
Some of the components that should be included in a digital camcorder accessory Kit would include some sort of bag, preferably having a shoulder strap, which is primarily designed to carry camera equipment and video as well. In most cases the manufacturer that you purchase your camcorder from will have a digital camcorder accessory bag that you can purchase that has been specifically made with your particular camcorder in mind.
Quite often these digital camcorder accessory bags will have foam or plastic cutouts to store your camcorder as well as various pockets on the side to store multiple items such as extra batteries, additional recording media such as DVDs, as well as a spot for pens and notebooks and other tools of the trade.
Make a Digital Camcorder Accessory Bag From An Old Bag
Very often when someone working in the industry of videography has devoted most of their available money purchasing in the highest quality camcorder they can possibly afford and basically can't afford purchase a good quality digital camcorder accessory bag straight from the beginning, and up converting older ones for their use. If that's the situation, keep in mind that old camera bags can most often be purchased for very little cash and sometimes are available for no charge from relatives who possibly collected many bags over the years and no longer have a need for them.
If you end up getting an older camera bag and make a decision to change it into a digital camcorder accessory bag, keep in mind to purchase some Styrofoam to use as padding. Doing so will help protect your camcorder from vibrations and rough treatment. Foam is an excellent way to protect it. Additionally making sure your bag has been waterproofed if it is constructed out of canvas is a smart idea and will be a good investment in the long run.
A Vest for All Occasions
An additional digital camcorder accessory that the majority of people both professional and amateur prefer to carry is that of a professional photographers vest. The color of these vests are usually a light canvas material in tone and in the back there is netting with many pockets for various uses.
Videographers and photographers clearly never have enough pockets and the photographer's vest may very well be one of the most valuable digital camcorder accessories that you can own. Using a vest like this removes the need to have to carry anything else except your camcorder and gives your hands the freedom they need to do what they do best, capture video images.
Korbin Newlyn is an expert in the field of electronics. If you would like to learn more go to Camcorder Reviews and at Digital Camcorder Rating
Monday, October 29, 2007
Take the Test - Are You Ready To Shoot a Wedding Video?
Have you volunteered or have you been recruited to shoot someone's wedding video? Take our test to see if you're ready to handle this important job.
1. The best time to meet with the bride and groom to discuss what they want captured (videotaped) at the wedding is
a) six months before the wedding
b) the day before the wedding
c) one to two months before the wedding
2. Which of the following pieces of equipment should you not be caught without at the wedding?
a) light kit
b) tripod
c) boom microphone
d) JumboTron
3. True or False? Its ok to skip the Wedding Rehearsal.
a) True
b) False
4. True or False? You should place your video camera as close to the minister, bride and groom as possible.
a) True
b) False
5. If you expect the wedding ceremony to last one (1) hour, how much videotape do you need to purchase
a) 60 minutes
b) 90 minutes
c) 120 minutes
6. True or False?: The still photographer is glad to see the videographer.
a) True
b) False
7. At the reception, what type of narration should you provide while you are taping?
a) announce the name of each person as they appear in your viewfinder.
b) announce the arrival of the bridal party
c) provide a play-by-play of the cake cutting ceremony
d) none
8. Which of the following are not important to capture (videotape) at the reception?
a) cake cutting ceremony
b) bouquet/garter toss
c) first dance
d) none of the above
9. Fill in the blanks: At the end of the day, you will know you have done well if you are _______ and _________.
a) dazed and confused
b) tired but satisfied
c) drunk and disorderly
d) sobbing like a little girl
10. When the wedding is over, what do you do with all the footage?
a) send it to America's Funniest Home Videos
b) present the newlyweds with the raw footage
c) edit the footage yourself
d) locate and hire a professional videotape editor
Answers
1. Correct answer: c - one to two months before the wedding
This is close enough to the wedding that the couple will have a good idea about the who, what, when, where and why of the wedding and what parts of it they want videotaped.
Six months before is too soon as the wedding plans have not come together enough that the couple will know what they want. If you wait until the day before you won't have time to gather necessary equipment and people will be too busy with final preparations to give you any direction.
2. Correct answer: b - tripod
A tripod is one of the most important pieces of equipment you will be using during the shooting of the wedding. A tripod ensures that your shots will be stable while giving you controlled flexibility to perform smooth and simple zooms and pans.
Most churches/wedding venues have sufficient light for videotaping so a light kit is not necessary. A boom microphone is overkill. And even though the church has an organ, this is not a hockey game, so forget the JumboTron.
3. Correct answer: false
It is very important for you to attend the rehearsal. This is your opportunity to scout camera positions, and check out all operating systems including cameras, lighting and audio before the actual event.
4. Correct answer: false
Before setting your camera up anywhere, introduce yourself to the minister and let him know where the camera(s) will be positioned and make sure that it meets with his approval. Its important that your presence at the altar doesn't interfere in any way with the ceremony or block the view of anyone sitting in the audience.
5. Correct answer: c - 120 minutes
Weddings tend to run long. You want to have enough videotape to cover twice the length of time you expect the event to be. This will also ensure that you have enough videotape to cover the reception.
6. Correct answer: false
It is a well known fact that wedding photographers grudgingly tolerate wedding videographers. So BEFORE the wedding starts, be sure to introduce yourself and any other videographers to the photographer and assure him that you will stay out of his way and not interfere with his job.
7. Correct answer: d - none
Resist any temptation to narrate as you are shooting the video. This is very unprofessional and you will regret hearing your off-camera comments when you view the raw footage.
8. Correct answer: d - none of the above
These are all part of the "must get" shots at the reception. If you miss any of them you could have an angry "Bridezilla" on your hands.
9. Correct answer: b
If you're tired but happy at the end of the wedding day, then you will know you've done well.
10. Correct answer: d or e are both correct
You can edit the footage yourself. Editing programs for PCs and Macs are becoming more and more commonplace. Even the more complex programs are user friendly.
You can also hire a professional editor. They can be located through the Yellow Pages or even through your local college or university.
Presenting the couple with raw footage is like having a wedding cake without the frosting or decorations. The cake batter may be baked but its definitely unfinished...and detracts from the elegance of the wedding.
Send the footage to America's Funniest Home Videos only if you have a $10,000 clip
How did you score?
8 - 10 Correct: Congratulations. You are ready to produce a professional-looking wedding video.
4 - 7 Correct: Expect some serious challenges. We recommend reviewing the questions that you got wrong.
0 -3 Correct: Yikes! You might want to rethink your role in the wedding. (see: flowergirl)
Olivia Romero is an independent video producer with over 15 years experience as a writer, producer, director and editor. Olivia and her partner, Tony Jones, help couples save money by producing their own professional-looking wedding video. To learn more, visit Wedding Video Secrets.
Ideas for Shooting a Memorable Wedding Video
There a lot of decisions that must be made when it comes to planning a wedding. For instance, a decision must be made on the venue of the ceremony. Decisions must also be made on the number of guests to invite and the food that would be served to them. Of course, decisions on important aspects such as the finances and the decorations must also be made.
Looking into hiring someone to do a wedding video is one of the items on most couples' to-do lists. The idea of a wedding video only really cropped up with the popularity of the home video camera, though it’s been standard for years for couples to hire professional photographers to shoot their wedding photographs. Making videos for weddings has eventually blossomed into a huge industry.
The first decision that a couple must make is whether they really need a wedding video. This decision will depend both on personal preferences and budget. There are a handful of things that need to be considered in addition to these two criteria. A couple has to decide on the length of the wedding video and the people who will watch it. Some couples content themselves with the photographs and the memories of the wedding, while some couples still opt for having a wedding video done to capture their special day.
You have to think about who you are going to hire to shoot the video if you do decide to get a wedding video done. Professional videographers often have samples of their work that you can view. This means that you will have the opportunity to decide if you like their styles or not. The problem with hiring professional videographers is that they are often expensive. A couple can easily end up paying as much as the photos by hiring a professional videographer.
Hiring a student from a local university or community college film class can also be a great option. Many of these students are quite talented but haven’t had a chance to flex their creative muscles. This muscle-flexing comes cheap, especially if they can use the video to fulfill a class requirement. However, you have to go over exactly what you want with the student beforehand, and make sure that the student knows what he or she is doing if you do opt for a student-produced wedding video.
Morgan Hamilton offers expert advice and great tips regarding all aspects concerning Wedding Video. Visit our site for more helpful information about Wedding Video and other similar topics.
Saturday, October 27, 2007
Writing Your Life Story - Tips And Techniques For Success
Once a luxury of the rich and famous, technology has, for the first time in history, made it possible for anyone to capture, share and preserve their most precious life stories. With the advent of computers, the Internet, digital photography, video, and audio, anyone can capture the richness and texture of their life stories. These personal histories will be appreciated by family, friends, and future generations.
Today it is possible to easily blend the art of traditional biography and memoir with powerful new technologies into a new form of individual life storytelling: the personal life history. Personal life histories are satisfying to create. And, because of the interactive multimedia possibilities inherent in computers and the web, a well-done personal life history can be rich and fully rounded in ways that are impossible to achieve in text-only memoir or biography. But most importantly, personal life histories preserve vital individual and family stories. And, when properly done, they will last for generations.
In this article you will discover how to use time-honored life story writing techniques along with the latest technologies to create a story that is uniquely "you."
The Art of Traditional Life-Story Formats
For anyone interested in creating their own autobiography, memoir or personal life history, it is important to understand the distinctions between these forms of telling one's own life story. To over-generalize for a moment, an autobiography is more fact-based, while a memoir is more emotion-based.
Autobiographies are written by the subject, sometimes with the collaboration of another writer. Autobiographical works take many forms, from intimate writings made during life that are not necessarily intended for publication (including letters, diaries, journals, memoirs, and reminiscences) to the formal autobiography. Interestingly, the autobiography format does not necessarily have to be true. It may also be a literary fictional tale.
Memoirs are a form of personal recollection that has grown enormously in popularity in recent times. Memoirs often focus on more subjective recollections such as memories, feelings, and emotions and are generally written from the first-person viewpoint. The memoir is often focused on capturing certain meaningful highlights or moments.
In his own Memoir, Palimpest, Gore Vidal writes that "a memoir is how one remembers one's own life, while an autobiography is history, requiring research, dates, facts double-checked."
Memoirs usually focus on a brief period of time or a series of connected events (an autobiography covers a longer time period). In a memoir, the writer is usually retrospective, and contemplating past events. Memoirs may incorporate the techniques of storytelling such as setting, plot, conflict, character development, foreshadowing, flashback, irony or symbolism. And lastly, writing one's memoir often has a therapeutic effect for the writer.
Oral History Recordings
An oral history is a verbatim transcription of an interview, left in the narrator's exact words. These are usually left in a question-and-answer style and are an economical way to preserve family stories. A recording system with a good-quality microphone and a quiet spot free from interruptions are all that is really needed to capture an oral history. It helps to have questions prepared in advance of the interview.
Oral histories are usually recorded using analog tape or digital recording equipment, but it is also possible to record directly into a personal computer. Oral histories are often transcribed (typed or word processed) into a document format. The conversational style is appealing for its easygoing informality.
Caveats: Recording formats and standards are constantly evolving and could become difficult or impossible to play back if the equipment becomes obsolete. Taped recordings decay over time.
Video History Recordings
Do-it-Yourself: At the basic level, it's easy and fun to create a basic video history. Camcorders are relatively inexpensive, and many computers today come with basic editing software. Capturing a good video history shares all of the same prerequisites as an audio recording: a quiet spot, with questions prepared in advance. Plus, you will want an uncluttered background, flattering lighting, and right clothing to improve the quality of the end product. White shirts, pants or dresses, for example don't show up well on video. Likewise, busy patterns can be distracting. Solid light-colored neutrals or pastels are usually safe.
Professional videographers: A large number of professional video companies specialize in the creation of life story productions. Productions may range from a 10 or 15 minute short to an hour or longer mini-movie, complete with titles, music, and other Hollywood-style effects. Naturally, you'll pay more for a professional production than a homegrown effort.
When selecting a professional use all the usual smart-consumer tips. Ask for references. Ask to see samples of prior work. Get all costs, production timetables and commitments in writing. It's delightful to have movies of an individual or family. When well-executed they often have entertainment value and are great for special occasions.
Caveat: As with audio recordings, formats change over time, and media can degrade, even with proper storage methods
The Integration of Art and Technology: Web-Based Personal Life Histories
Just in the last few years, the Web has emerged as a powerful new medium for creating and sharing life stories. On the web it is not only possible, it is enjoyable and easy to create a rich multimedia story with text, photos, audio and video. This is the new format of the personal life history.
Web-based personal life histories enjoy several advantages over paper-based publishing, audio, video, or even CD life stories. Specifically, Web-based publication is updateable-one can add new information at any time. It is easily shareable among friends or family. The most advanced sites offer choices of privacy and security protection. The web is also multimedia, meaning you can add text, photos, audio, and video. Photos, audio, video are never lost, damaged destroyed. An finally, many sites offer print-on-demand, allowing you to create instant books. The books may be printed on your home printer, or sent out to small-run publishers. If you choose the small-run option, be sure to specify archival quality paper.
One of the biggest advantages of web publishing is the ability to build community around similar interests, occupations, backgrounds or life events. For example, a WWII veteran pilot who posts his story to the Web and makes it available to the public may be contacted by long-lost friends, other veterans, students, historians, museum personnel, or others interested in this pivotal chapter in American history.
Why Create Your Personal Life History?
Mark Twain once said: "There was never yet an uninteresting life. Such a thing is impossibility. Inside everyone, there is a drama, a comedy, a tragedy."
A personal life history can be as short as a few pages, or several volumes in length. Whatever the length or medium, it requires thoughtfulness and sometimes quite a bit of work to accomplish. But the work is worthwhile because it has the ability to influence generations ahead. Your personal life history may leave a legacy for your children and grandchildren. As with memoir, writing a personal history allows you to examine and reflect on your life up to the present day. It lets you add your story to the larger historical record of your family, city, and country. And lastly, if you don't do it, who will?
Start with a Timeline of Life Chapters
How does one start to tell the story of a life that may cover 60, 70, 80 years or more? Often it's helpful to create a chronological timeline of major events in your life. It helps to jot down a few notes around key phases in your life. In fact, you may already be thinking of your life as a book, with separate, distinct chapters built around important life episodes.
Of course, not everyone's life follows an identical chronological sequence, but here are a few ideas for chapter headings for your book or story. GreatLifeStories.com uses the following "chapters" to organize life stories:
• Your Beginnings
• In Your Neighborhood
• School Days
• Off to Work
• Romance and Marriage
• War and Peace
• Triumphs and Tragedies
• Words of Wisdom
• Humor
• Words of Gratitude
The chapter system is very flexible. For example, you don't have to start your life story with the days of your birth and youth. Perhaps you had a fascinating experience during the war. As with a movie, you might open your life story with that "scene," then tell the story how you got there.
Once you've got an idea for the "flow," of your story, here are some more specific guidelines to help add color, texture, and authenticity:
- Just start writing! Do a mind dump. Get it out of your head and down on paper, the computer, the tape recorder, wherever. Don't worry about how it sounds. Just write. Resist the temptation to edit yourself; there will be time for editing later.
- Be yourself. Don't worry if your grammar or spelling isn't perfect. Write it as you would say it.
- Honesty is everything. The best writing tells it like it happened.
- Include humor. Favorite jokes, stories, anecdotes
- Detail, detail, detail. What kind of floor did the kitchen have? What color was the scarf she wore when you first met?
- Go at a comfortable pace. Don't try to capture an entire lifetime in a single session of furious writing. Write, allow time to reflect, and return again to writing.
- Consult others. Family members and friends can be invaluable sources of facts and interpretation.
- Use photos to jog your memory. Tip: Set out photos in a timeline of your life, starting from your very youngest days, and moving through current times. Write or record to your visual storyboard
- Look for themes in your life. Themes are broad ideas that are central to your life. Did you always want to be a pilot? A preacher? Own a restaurant? Be a farmer? Tell the story of how you met your goal, or how the goal changed to something else totally unexpected.
Here are just a few other thematic life story possibilities: a. The Spiritual quest b. The Confession c. The Travelogue d. The Portrait e. The Complaint f. Humor g. The Family history h. The Road to Recovery i. War Story j. Romance
Another Option: Hire a Professional
Most of this article has been focused on creating the do-it-yourself personal life history. There is, of course, the option of working with a professional. The right professional writer or videographer is a highly skilled interviewer and has the proper tools and equipment. And, believe it or not, it is sometimes easier for someone to open up in front of a stranger rather than in front of a family member.
There are many approaches to working with writers or videographers. However, there are a number of similarities in common. The writer/videographer often:
1) Meets with you to determine the scope and cost of the project.
2) Usually sets up taped interview sessions. Depending on your objectives, these may be an hour or two, or 10, 20 hours or more.
3) The recording is transcribed and edited with your input and guidance
4) Once a final manuscript/movie is agreed upon, it may be sent out for printing or duplication.
5) For books, personal history professionals recommend archival bindings and acid-free paper for longevity
6) You receive the number of books/movies agreed upon in your contract.
7) Be sure to discuss services, fees and end products in advance, and get all agreements in writing.
Thanks to high technology, the art of capturing and preserving the stories from one's own life is now open to more people and easier than ever before. A new genre of personal storytelling is emerging that draws on the literary traditions of the autobiography and memoir, while adding audio, video, and web technology to create personal life histories. On the Web, these personal stories personal life histories are multimedia, collaborative, shareable, and instantly updateable.
Enjoy capturing your life story!
References and Further Reading
Web Sites:
http://www.greatlifestories.com
Associations:
The Association of Personal Historians is a 600+ member organization of professional personal historians who create life stories in all formats: text, audio, video. http://www.personalhistorians.org
How-to Books:
There are many good books filled with different approaches and tips for writing a personal life history. Here are just a few:
Daniel, Lios, How to Write Your Own Life Story
Rainer, Tristine, Your Life as Story Books
Roorbach, Bill, Writing Life Stories
Mike Brozda is one of the founding members of the GreatLifeStories team. A veteran journalist, he has more than 30 years experience writing for national and international publications. He has also created more than 150 personal life histories for people across the US, Canada, and Mexico. Contact him at mike.brozda@yahoo.com
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